Beginning amateur astronomers soon encounter the term “Messier objects.” They learn that this is a list of objects outside our Solar System that are visible through small telescopes. This list was originally compiled by Charles Messier, in the 18th century, from his observations and those of contributors. The catalog has been updated over time, as recently as the mid-20th century, to 110 objects in total.
We’ve noticed some nice full-color and RGB deep-sky images made by Jerry Macon using our Tele Vue-NP127is telescope. They’re all taken from his private Dark Star Observatory in Taos, New Mexico. His image of the expansive North America Nebula (NGC 7000 – above) displays how the deep red light of Hydrogen-α dominates this emission nebula (an ionized cloud of hydrogen gas about 3° across). A feature of this nebula is the “Cygnus Wall” section at the bottom, that includes “Mexico” and “Central America.” This feature is a dense star-forming region of dust and gas that is often imaged alone without the rest of the nebula.
If you’re suffering from the cold northern winter like we are at Tele Vue headquarters in upstate New York, you’ll instantly be “warmed” by these “hot” solar images made by Jordi Sesé Puértolas from his balcony in Barcelona, Spain. These photos appear to show a blazing inferno on the “surface” of the Sun. However, science tells us this is not fire we are seeing but hot plasma (ionized gas) and gas in the wavelength of Hydrogen-α light.
This week’s guest blog post is written by Gavin Orpin. The blog came about as a result of a discussion between Gavin and Tele Vue President David Nagler at the recent AstroFest 2019 show held at the Kensington Conference and Events Centre in London.
Coming from the U.K., using night vision for astronomy is very rare due to the cost and difficulty of getting the night vision equipment. I estimate there are only around 6 night vision astro users in the whole of the U.K.. However, I was fortunate in that one of my local astronomy club members is the leading U.K. proponent of night vision astronomy, so I was able to see first-hand this technology in action.
[Night Vision] has given me a completely new aspect of the hobby to explore.
Given the significant light pollution, living near central London does create some big issues for visual astronomy. However, night vision has given me the ability to observe DSOs (Deep Sky Objects) with my Tele Vue-85 APO telescope that I would have no chance with normal glass eyepieces. It has given me a completely new aspect of the hobby to explore — for that I am very grateful to my astro club friend and Tele Vue for making it possible for a U.K. based astronomer. In addition, when I do get the chance to visit a dark site, the night vision works even better and I can see things I never dreamed of when I began observing the stars.
This year all eyes will turn to the Moon to mark the 50th Anniversary of the first Moon landing. The Moon is the natural first target for new amateur astronomers, yet all too often as observers become seasoned, the Moon becomes a nuisance that blots the stars from the sky. This week we explore the Moon through the eyes and talented hands of Michel Deconinck. As you will see, there is much to see in the monthly dance between shadow and light on the lunar surface.
Michel Deconinck is an artist in the South of France with a passion for astronomical watercolors. He is very involved with the international astronomical community and his artistic works have been published in magazines, scientific journals, and displayed at conferences and school events. His artistry is augmented with a background in nuclear physics, engineering and astrophysics.
This guest blog post is by Tele Vue-85 owner Chris Owen. Chris is a physician in Orange County California, where he lives with his wife and 3-year old son. You can see more of his images on AstroBin.
This week’s AstroFest 2019 show, at the Kensington Conference and Events Centre in London, inaugurates Tele Vue’s exhibition season. I’ll once again be guest of The Widescreen Centre. Want to talk about Tele Vue eyepieces? Have questions on DIOPTRX? Need advice on imaging with Tele Vue telescopes? Please find me at The Widescreen Centre stand in the Exhibition hall, open 9am to 6pm, on February 8th and 9th. You can find complete details on the Exhibition Hall on the AstroFest website.
This guest blog post is written by Phil Ressler, a longtime amateur astronomer who lives in Los Angeles, though his observing life began on the east coast. Phil is a veteran software industry executive, currently CEO of Sixgill, LLC.
I had never seen pinpoint or round stars — apart from observing our round Sun.
I’m old enough to remember when “pinhole” eyepieces with “soda straw” views defined what a telescope offered to the average amateur astronomer. More than anyone, Al Nagler, and more than any company, Tele Vue, changed that by opening up the sky and making it easier to explore through wider field viewing. Mr. Nagler and his company also showed us that a relatively rich field refractor could not only capably serve as an amateur’s sole telescope: it is the best telescope to own if you’re only having one. We can thank Al Nagler and Tele Vue for laying the foundation for the way visual astronomy is pursued today. Yet despite all that, until I tried a DIOPTRX™ on my 22mm Panoptic last year, I had never seen pinpoint or round stars — apart from observing our round Sun. I’ve been observing the sky through scope optics since 1961, my astigmatism never absent. For people like me, DIOPTRX™ is arguably Tele Vue’s most essential product, because it makes all of Al Nagler’s original work in eyepieces and refractors unmistakably worthwhile to the astigmatic viewer.