Tele Vue APO Design and Build “Secrets”

Over the years, we’ve seen conversational topics in online amateur circles that repeatedly crop up concerning the definition of apochromatic refractor, triplet vs. doublet design, and how glass designation might define performance.  We expect these questions to continue to appear as new amateurs discover the hobby. So bookmark this blog post because here you’ll find notes on Tele Vue’s philosophy and build practices concerning our telescope line of 100% APO refractors.

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TNVC Night Vision Direct from Tele Vue

(TNV-1400) TNV/PVS-14 L3 Gen3 Un-Filmed White Phosphor

Tele Vue has taken its collaboration with Tactical Night Vision Company one step further! We are happy to announce that we now offer their TNV/PVS-14 L3 Gen3 Un-Filmed White Phosphor night vision monocular plus accessories direct from Tele Vue.

Al Nagler Goes “Full Circle” on Night Vision
Back in 1971, while an employee of Farrand Optical Company, Al Nagler was given the task of designing an eyepiece for a spiffy-new, high-tech gadget designed by ITT Corporation: a night vision device. He designed an eyepiece to view the 40° field of view created by the image intensifier tube. Now, after almost 40-years of evolution, the latest generation night vision  monocular that Tele Vue is selling uses an eyepiece at least inspired by Al’s Design — if not exactly the same!
 

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Jupiter Opposition June 2019!

Solar System (Jupiter) by flickr user Eugene Beygin. All rights reserved. Here Jupiter’s Great Red Spot is facing Earth with the four Galilean satellites (labeled) on either side of the giant planet. Taken through Celestron C6-N Newtonian (6″, f/5) with Tele Vue 3x Barlow through QHY5III224 color CMOS planetary camera and tracked by Celestron AVX mount.
On June 10th, Jupiter was closest to the Earth and rose at sunset — placing it in the sky all night long. The timing makes it well placed for observation throughout much of the summer. Currently, the planet is at its best for the year, at magnitude -2.6 with an angular diameter of 46-arc-seconds. It will “fade” slightly to a still very bright magnitude -2.1  and shrink to 36-arcseconds by the start of fall, where it will be in the west at sunset, setting just a few hours later. So, now is prime-time to view and image this gas giant planet, its famous Great Red Spot (GRS), and attendant giant moons.

The Sun from Sunny Barcelona, Spain

protuberancias y superficie solares – 18/11/2017 by flickr user Jordi Sesé. All rights reserved. Used by permission. In this impressive image, a massive solar prominence erupts above the limb of the Sun. Furry spicules are visible along the entire edge of the disk. The roiling surface appearance of the Sun is caused by filaments and fibrils (prominence and spicules away from the limb — see blog text for details). All these solar features are usually invisible in ordinary white light. These phenomena are only revealed through narrow-band hydrogen-α light filters. Tele Vue 2.5x Powermate™ into ZWO ASI174MM monochrome camera using 100mm f/10 achromatic scope with modified Coronado PST Hα and BF10 blocking filter.

If you’re suffering from the cold northern winter like we are at Tele Vue headquarters in upstate New York, you’ll instantly be “warmed” by these “hot” solar images made by Jordi Sesé Puértolas from his balcony in Barcelona, Spain. These photos appear to show a blazing inferno on the “surface” of the Sun. However, science tells us this is not fire we are seeing but hot plasma (ionized gas) and gas in the wavelength of Hydrogen-α light.

Return to the Moon with Michel Deconinck

This year all eyes will turn to the Moon to mark the 50th Anniversary of the first Moon landing. The Moon is the natural first target for new amateur astronomers, yet all too often as observers become seasoned, the Moon becomes a nuisance that blots the stars from the sky. This week we explore the Moon through the eyes and talented hands of Michel Deconinck. As you will see, there is much to see in the monthly dance between shadow and light on the lunar surface.

The Crater Copernicus © Michel Deconinck. All rights reserved. Used by permission. Tele Vue 10mm Delos eyepiece (100x) with 4” f/10 Bresser refractor. The 93 km Crater Copernicus was drawn on July 26, 2015, during a waxing gibbous Moon phase. “It is rather difficult to draw, many subtle details emerge such as the arc of small impact craters and its network of lighter lines that are visible over several hundred km. Some landslides are also visible, …”.

Michel Deconinck is an artist in the South of France with a passion for astronomical watercolors. He is very involved with the international astronomical community and his artistic works have been published in magazines, scientific journals, and displayed at conferences and school events. His artistry is augmented with a background in nuclear physics, engineering and astrophysics.

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Tack Sharp Stars: Overcoming Eyesight Astigmatism

Simulated image of DIOPTRX™ astigmatism correction. Your experience may vary.

This guest blog post is written by Phil Ressler, a longtime amateur astronomer who lives in Los Angeles, though his observing life began on the east coast. Phil is a veteran software industry executive, currently CEO of Sixgill, LLC.

I had never seen pinpoint or round stars — apart from observing our round Sun.

I’m old enough to remember when “pinhole” eyepieces with “soda straw” views defined what a telescope offered to the average amateur astronomer. More than anyone, Al Nagler, and more than any company, Tele Vue, changed that by opening up the sky and making it easier to explore through wider field viewing. Mr. Nagler and his company also showed us that a relatively rich field refractor could not only capably serve as an amateur’s sole telescope: it is the best telescope to own if you’re only having one. We can thank Al Nagler and Tele Vue for laying the foundation for the way visual astronomy is pursued today. Yet despite all that, until I tried a DIOPTRX™ on my 22mm Panoptic last year, I had never seen pinpoint or round stars — apart from observing our round Sun. I’ve been observing the sky through scope optics since 1961, my astigmatism never absent. For people like me, DIOPTRX™ is arguably Tele Vue’s most essential product, because it makes all of Al Nagler’s original work in eyepieces and refractors unmistakably worthwhile to the astigmatic viewer.

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2019 Anniversaries

Tele Vue Eyepiece Evolution Highlights: it all began with the Apollo Program.
Tele Vue founder Al Nagler was one of 400,000 people estimated to have worked on the Apollo moon landing program. The year 2019 marks the 50th anniversary of the culmination of all that effort: the first manned Moon landing. Al’s involvement with that mission and derivative work for the Air Force during that period would inspire him to found Tele Vue Optics and influence our eyepiece designs for decades to come.
 

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Tele Vue Scope Renaissance! (Part I)

Tele Vue Renaissance brass telescope (built 1984-1993) was the first Nagler-Petzval type lens design to go into wide-spread production.  With its solid brass tube, its classic look is timeless.
Restoring a Storied Scope
A customer recently called because his vintage Tele Vue Renaissance telescope needed some tender-loving care.  The Renaissance was our second model, put on the market after the 1981 “Multi-Purpose Telescope” (MPT). The customer’s scope was built in 1985 and is from the initial production design with a bolt-on focuser.  After discussing the obvious issues that needed addressing and our evaluation process, he decided it would be worth it to him for us to have a look at the scope.
 
When we received the scope, the most obvious troubling issue was the focuser.  It was unusable. The pinion shaft was badly bent and two of the three teflon runners supporting the draw-tube along its travel were missing.  The outer surface of the objective showed years of grime, and all of the brass components were heavily oxidized. The optics, however, were only slightly mis-aligned, producing a mildly flaired star shape at high power, but the image was still serviceable for terrestrial and deep sky  viewing.  Sadly, after a complete optical and mechanical inspection, we concluded that it just wasn’t worth the effort and expense to revive the telescope.  That, however, was not our customer’s conclusion.
 
He gave us the go-ahead and we proceeded to give his 1985, brass Tele Vue Renaissance a new lease on life. A “renaissance” for this Renaissance if you will!
 
Left: The brass telescope tube in need of polishing. Right: tube after machine and hand polishing.

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Tele Vue Scope Renaissance! (Part II)

This post is about maintaining a brass Renaissance and matching Gibraltar mount. For the post on restoring a brass Renaissance, please see our companion blog post:

 

Vic Bradford’s brass Renaissance 102 on matching Gibraltar mount stands in front of an antique pie safe. Images courtesy of Vic Bradford.

Vic Bradford has owned a brass Renaissance telescope since 2006, about 20 years after he first saw Al Nagler show one at a Riverside Star Party. He regrets not owning one sooner as “the scope uniquely merges the beauty of form and function”. We’ve reprinted some excerpts below from a treatise he sent us on caring for the brass on his Renaissance telescope and brass fittings on his matching Tele Vue Gibraltar mount. He offers a caveat to the reader: “you may find these suggestions overkill and much can be said for simply leaving brass alone so it can develop a nice patina. Like any other fine equipment, though, it benefits from good care and research.”

These instructions are for cleaning and polishing brass lacking a clear-coating. Following these instructions will ruin your coating.

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Imaging the Skies Over Bavaria

Surfing through the AstroBin site’s collection of user generated astrophotos we were struck at this vivid example of M16 “The Eagle Nebula.” The image has a depth  and contrast we’ve never seen before. Created using “Hubble Pallet” filters, the rich blue (Oxygen III) surrounding the “Pillars of Creation” structure is highlighted by the ruddy bland of reds (Sulfur) and greens (Hydrogen-alpha and Nitrogen) in the “folds” of the surrounding dust clouds. The blackness of space at the edge of the dust and gas cloud is preserved against all the colors. 

M16 Eagle Nebula – Hubble Palette by AstroBin user Paul Schuberth. Copyright Paul Schuberth, All Rights Reserved. Used by permission. Teleskop Service TS Optics 10″ f/4.65 Newtonian-Astrograph using Tele Vue BIG Paracorr 3″ and Atik 383L+ mono camera carried on Sky-Watcher EQ8 mount. Taken in the “Hubble Palette” using Baader H-alpha 7nm (10×600″), OIII 8.5nm (10×600″), and SII 8nm (10×600″) filters with a total integration time of 5-hrs.

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