Back in March 2019 this blog featured a Tele Vue-NP127is APO refractor image gallery by astrophotographer Jerry Macon. All those images were done with red, green, and blue (RGB) filters or a dedicated color camera. Jerry has since added the Hubble Palette filters (SHO: Sulfur II, Hydrogen-alpha [Hα)] and O III) to his repertoire, and the color camera is no longer used. We feel Jerry’s imaging has evolved to another level of perfection in the past two years. So in this blog, we look at some of his latest work with the NP127is.
Sh2-240 (Simeis 147) Supernova Remnant
Cataloged as Simeis 147 and Sharpless 2-240, the name “Spaghetti Nebula” is its most descriptive moniker. This nebula is huge: it spans 3° (6 full-moon widths). It is the remnant dust and gas of a massive star that ended life in a supernova explosion. In this case, it left behind a pulsar (a radio-emitting, spinning neutron star). Due to discrepancies between the estimated age of the nebula and pulsar, some posit that two supernovae explosions happened in this region some time apart. Whatever the history of the object, we can say Jerry’s Spaghetti Nebula is quite tasty to the eye.
It’s time to revisit the Sun! This nearby yellow-dwarf star is entering middle-age and is showing some spots! Here we have a selection of solar images, taken from around the world, made with Tele Vue Barlows and Powermate image amplifiers.
3 Big Flares in Active Region 12860 (movie) by flickr user Carlo Casoli. All rights reserved. Used by permission. “I was very lucky to film a series of flares lasting about 2 minutes. The energy released in this very short time is incredible; the largest of the flares has an extension equal to at least 3-4 times the Earth’s diameter”. For this Hydrogen-alpha animation, 10-second exposures were taken every 30 seconds for a total of 1 hour from 2021 08 29 11h 30′ – 12h 30′ CET. Imaged with filtered Tecnosky 80/480 APO (DayStar Quark Chromosphere Model H-Alpha Filter) using Tele Vue 2x Barlow (effective focal length = 4000 mm) with ZWO Electronic Filter Wheel and ZWO ASI174MM camera. All carried on Ioptron CEM70G & Ioptron TriPier. Software: FireCapture, AutoStakkert3, ImPPG, and Photoshop. From Casalecchio di Reno, Italy.
Back in December 2018, we featured some spectacular wide-field, deep-sky images by Diego Cartes Saavedra in Chile. All the images were taken with his Tele Vue-76 APO refractor and Tele Vue TRF-2008 0.8x Reducer/Flattener. This combination achieves a 380mm focal length at f/5, ideal for imaging large swaths of deep sky. You can still read the original blog at Tele Vue-76: Imaging the Southern Hemisphere. At the end of that post, we wished Diego continued success in his astrophotographic journey. Ever since, we’ve followed his progress through his postings on the AstroBin imaging hosting platform for astrophotographers. We felt it was time to “catch up” with him and post some of his latest captures in this gallery blog.
NGC 6188 ─ The Fighting Dragons of Ara (Hubble Palette)
Prior generations of supernovae explosions spread dust and gas in this complicated region of space. Continued explosions compressed this material and sparked the formation of new massive stars. Stellar winds from these stars intricately sculpted the region into areas of glowing gas, reflection nebulae, and dark clouds of dense matter. The resulting dark, dusty lanes conjure up images of two dragons. Light from open cluster NGC 6193 illuminates the large blue reflection nebula where the dragons face off. The dense, blue object at the lower-right is pk336-00.1 (also NGC 6164 & NGC 6165) ─ an emission nebula formed from the expanding outer layers of a giant, hot, O-type star at the center. Around this compact object is the faded outer ring of reflected blue dust from earlier shedding events. This image was awarded an AstroBin “Top Pick” nomination.
In the last blog, we covered the history of the Newtonian reflector, its inherent aberrations, and how Tele Vue’s Paracorr enlarged the “sweet spot” of fast scopes to cover the entire field. We also compared the Paracorr – Newtonian combination against more “exotic” telescope designs for imaging. If you missed it, you can read Part 1 before continuing.
Which Paracorr to Use? Over the years there have been two optical versions of the Paracorr. The original Paracorr came in various mechanical designs which developed as we developed new eyepieces. For this BLOG, we’ll focus on the currently available three versions of the Type-2 Paracorr: 2″ Photo/Visual, SIPS, and 3″ Photo models. Performance improvement over the original Paracorr is most noticeable on all Newtonian/Dobsonian telescopes of f/4.5 and faster.
Paracorr and the Evolution of Newtonian / Dobsonian Telescopes
Invented from lenses used to make eyeglasses, refractors were the first telescopes when introduced in the 1600s. However, the early refractor builders could not avoid building scopes that displayed color fringes (chromatic aberration) around bright objects. It was Sir Isaac Newton (1642–1727) who figured out that white light is composed of different wavelengths that we see as colors. Each wavelength will refract (bend) by a different amount as it passed through the refractor’s objective glass. The longest wavelengths (red) refract less while the shorter wavelengths (blue) refract more. As a result, the red component of the image focuses behind the blue component. Pinpoint images and higher magnification were out of the question with these primitive scopes. Even after the cause of chromatic aberration was revealed, refractor builders didn’t have the glass types and manufacturing skills to counter it for another century. Sir Newton, however, had an idea to build a second type of telescope that avoided refraction: a reflector.
The above portrait of the Horsehead and Flame nebulae is stunning. Created in Hydrogen-alpha light, this monochrome image is filled with wispy tendrils, puffy molecular clouds, dark lanes, and glowing gas. It really brings out the interplay of shockwaves and ionizing radiation at work in this region of the much larger Orion Molecular Cloud Complex.
You can compare this image with the color one below of the same region. The red hues are dramatic, but we lose a sense of the “sculpting” that is taking place in the gas and dust.
The Horsehead (Barnard 33) and Flame Nebulae (NGC 2024) are separated by the bright blue supergiant star Alnitak (center-left in the above image), the easternmost star in the “Belt” of constellation Orion. Like a giant neon sign, the “Flame”, below Alnitak in the image, is “lit up” by ultraviolet light from the star. The flame-like appearance is enhanced by dark “branches” of light-absorbing gas in the nebula. As for the Horsehead, its appearance is due to the three-star system Sigma Orionis “above” the “horse” (bright star along a line through the horse’s neck and head). It causes hydrogen gas to glow behind a dark concentration of dust that has the distinctive appearance of a horse’s head.
The lead-off image of this post is certainly an eye-grabber! It is one of the most unique interpretations of the Rosette Nebula (NGC-2237 or Caldwell 49) in Hubble Palette filters we’ve seen. Most striking, the usual Hubble Palette aquamarine color surrounding the central cluster is cobalt blue! The typical outer ring of yellows and burnt ochre now has a deep-orange hue. This color manipulation was done while maintaining the filamentary wisps and dark protostar Bok Globules in the nebula, along with a jet-black sky background. The resulting dimensional quality of this image draws the viewer from the ruddy edges of the nebula into the blue-colored center and then out the “back” aperture of the structure.
In the middle of the Covid pandemic, stuck at home, I decided to resurrect an interest in astronomy, and in particular astrophotography.
This image is from a great collection of Tele Vue NP101is images posted by Linwood Ferguson on SmugMug. At the top of this SmugMug page is stated the motivation for his astro imaging: “In the middle of the Covid pandemic, stuck at home, I decided to resurrect an interest in astronomy, and in particular astrophotography”. In this blog, we present a gallery of Linwood’s NP101is images.
Mauri Rosenthal’s Tele Vue 2.5x Powermate solar images appeared in our Here Comes the Sun! blog last December. Imaging from just 10-miles (16-km) from New York City, it was reasonable to expect that his flickr and Instagram walls featured images of the Sun, Moon, and Planets. To our surprise, we also saw some images of deep-sky objects (DSOs), taken with a Tele Vue-85, from the same light-polluted location. We were intrigued at how he was able to get such reasonable results from his poorly situated location and asked if he’d relate his experiences in this blog.
It turns out we’d found the right guy for the job. Mauri wasn’t a “typical” amateur astronomer/imager: he actually teaches Urban Astrophotography in New York City, under the auspices of the Amateur Astronomers Association of New York. His instructor’s biography, on a recent class registration page, describes Mauri’s motivation as follows:
Surprised by the image quality achievable with small telescopes from his yard in Westchester County, Mauri has been developing deep expertise in Ultraportable Urban Astrophotography and is on a mission to use new technology to extend the access of city-dwellers to the wonders of the night sky.
In this guest blog post, we asked Mauri about his overall experience and how Tele Vue Optics contributes to the enjoyment of his hobby.
We’re quite impressed with Frank Wielgus’ exquisite collection of wide-field, deep-sky images on SmugMug. Photographed with a Tele Vue-NP127is APO refractor, the attention to image capture and software craftsmanship is evident in his collection of galaxies and nebulae. His images have often been selected as winners in the Amateur Astronomers Association of Pittsburgh’s Kevin J. Brunelle Photography Contest.
In his guest blog Frank shows and tells us the story of his astrophotography.
I started astrophotography in the early ’90s using film. It was a Pentax camera with screw mount lenses, piggybacked on an SCT using slide film. Boy, I’m glad those days are gone! I have recently started using those lenses again on a wide field DSLR set up. I then moved to imaging through the SCT. At some point, I wanted to up my game in quality, and for me, that meant a refractor.
Ever since I first acquired Tele Vue Plössls in the early ’90s, I have always admired Tele Vue products. Quality, design, and locality of service were important considerations for me. For these reasons, the NP127is was a dreamed-for acquisition for a number of years. So when the opportunity arose and with the prompting of a good friend, I acquired one. I remember being blown away by the quality. Now stars look like stars and the sharpness with flat field are incredible things to see. Barring any unusual circumstances, this scope and I are in it together for the long haul.
Brian Paczkowski has been employed by NASA/Jet Propulsion Laboratory in Pasadena, California since 1983. Some of his work includes the Galileo Mission to Jupiter and the Cassini Mission to Saturn. He is currently the Europa Clipper Science Manager.
Every clear night he images with his Tele Vue-76 installed at a remote observatory located at Dark Sky New Mexico (DSNM). He dedicates his Instagram wall of astroimages, “to my love of astrophotography.”
Located in the northern regions of Ursa Major and 12-million light-years from Earth, the two prominent galaxies in Brian’s image are Bode’s Galaxy (M81) and The Cigar Galaxy (M82). They are joined by NGC 3077 (an elliptical galaxy slightly further away) in the upper-left corner. All three are gravitationally interacting members of the M81 Group of Galaxies. This wide-field image shows foreground dust in our own galaxy covering the starscape.
In the close-up crop below, the intervening dust is not emphasized in processing. The yellowish core of M81 indicates an older population of stars while the red “spots” are from glowing hydrogen gas excited by ultraviolet light from newly formed young giant stars.
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