NP127is Imaging the Skies Over Sydney!

We were struck by the neon-like colors produced by Murray Parkinson’s imaging through our Tele Vue-NP127is APO Refractor using different combinations of Hydrogen-alpha (Hα), doubly ionized oxygen (OIII), and ionized sulfur (SII) filters. His Porpoise Nebula image below looks like it is leaping out of the page! Others agree: he provided the cover and inside cover spread images for Nightfall October 2017 (a journal of astronomy in South Africa). He tells us “I love my two Tele Vue refractors. Only wish you made a 12-inch refractor … .” This week’s guest blog post is a gallery of his work from suburban Sydney, Australia.

“When I became interested in astrophotography, I quickly learned that the quality of the optics was crucial to achieving high-quality results. Only the very finest telescope designs can deliver round, pinpoint stars across the entire frame. I chose the Tele Vue-NP127is partly because of the reputation of Al Nagler and partly because of trust in products made in the USA. I also had a lot of trust in the salesperson who looked after me at BINTEL in Sydney. He always gave excellent advice on what to buy.

“Without a doubt, the versatility of the Tele Vue-NP127is stands out in my mind. The telescope delivers true astrograph performance when imaging at multiple focal lengths. It also delivers brilliant views when used visually and is light enough to transport to a dark sky location on a car camping trip. I still love visual observing and appreciate a telescope that can deliver on all accounts.

The Porpoise Nebula in Canis Major
2019_03_03_EZ_Canis_Major_HaOIII by flickr user Murray Parkinson. All rights reserved. Used by permission. Imaged with Tele Vue-NP127is APO Refractor at f/5.2 with QSI 683wsg camera on EQ8 mount. Exposures through filters with 2 x 2 binning as follows: Astrodon 3-nm Hα for 10-hours total and Astrodon 3-nm OIII for 18-hours total.  Acquisition and processing software used: Nebulosity 4, PHD2, PixInsight, Lightroom and Photoshop. Imaged from suburban Sydney.

“This faint Oxygen III nebula is catalogued as Sharpless 308 in the constellation of Canis Major and is commonly called the Gourd Nebula, but I am one of those people who see a Porpoise first, or I am fonder of porpoises than gourds anyway. The nebula is classified as a Wolf-Rayet bubble and originates from the star located close to the centre of the frame.

“When I was a young boy in the early 1970s, my stepfather took me to see a movie at a drive-in theater in the country. At the end of the movie, I stepped outside the car and looked up to behold the summer Milky Way overhead. This was the first time I had seen the Milky Way from a dark location and I was overwhelmed with awe. To this day, I still experience awe, swooning at the beauty of a starry night when I am lucky enough to camp somewhere truly dark.

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NP127is: Imaging the Skies Over Upstate New York!

We noticed some great Tele Vue-NP127is images on Instagram tagged with our #RPTVO (repost hashtag). They were all taken by Greg Thompson in Tele Vue’s home region of the Hudson Valley, NY. Due to the weather, one has to be persistent to be an astro-imager in these parts. So, we contacted him and that resulted in this guest blog post in two parts. The first part describes his journey into astrophotography and experience imaging with the Tele Vue-NP127is and the second part is a step-by-step guide for image acquisition and processing.

 
Reprocess of The Pillars of Creation by Instagram user Gregory Thompson. All rights reserved. Used by permission. The Eagle Nebula (Messier 16 or NGC-6611) is a diffuse emission nebula and open cluster that is home to the finger-like “Pillars of Creation” star-forming region. Ultraviolet light emitted by the young, giant blue stars in the nebula causes the gasses in the nebula to glow. The “Pillars” are actually cold accumulations of dust and gas that are silhouetted by the background glow.
Exposures at ISO 800 and 1600, 174 x 60″/45″ because of wind and low elevation.
Tele Vue-NP127is APO refractor with Canon EOS 7D Mark II DSLR riding on iOptron CEM60EC mount. Software: BackyardEOS, DeepSkyStacker, StarTools, and Corel Photo-Paint X5.

When I saw the first image of the Orion Nebula on the camera’s LED screen ─ WOW, I was hooked!

As a child, I would always look up at the night sky in hopes of seeing a “shooting star.” I loved the night sky but was never interested in astronomy or cosmology as a young man. I began a photography business in 2011 and had to take early retirement from my day job of 25+ years. My photography led me down many roads, from portraiture and landscapes, birds and wildlife, and many other genres. I had heard of astrophotography but was not interested as I thought it was beyond my reach. Then the television series “How the Universe Works” came to my television in 2016 and could not get enough of it. Soon after, I was browsing a photography forum that I was a member of, and saw some photographs (Deep Sky Objects’s) that a well-known scientist and photometrist had posted using a camera that I already had, and a lens very similar to one of my lenses. That opened my eyes wide and I then began to research everything about astrophotography. Three months later I bought my first camera tracker (Fornax LighTrack II) and accessories to begin my new hobby. That was in the fall of 2016. When I saw the first image of the Orion Nebula on the camera’s LED screen ─ WOW, I was hooked!

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Paracorr Type-2: Imaging the Skies with Luca Marinelli

This week’s guest blog post is by Luca Marinelli. He images the sky with a Teleskop Service ONTC 10″ Carbon Tube f/4 Newtonian equipped with our Tele Vue Paracorr Type 2 coma corrector.

The Rosette Nebula (NGC 2244): Animals on Parade by AstroBin user Luca Marinelli. All rights reserved. Imaged through Teleskop Service ONTC 10″ f/4 Newtonian with Tele Vue Paracorr Type 2 coma corrector and ZWO ASI1600MM Pro mono camera. The narrowband filters used for imaging reveal various layers of material within the heart of the Rosette. The resulting dimensional quality draws the viewer from the ruddy edges of the nebula into the aqua-colored center and then out the “back” aperture of the structure. Filters used in this Hubble SHO palette image were: Astrodon Narrowband 3nm: Ha (26×300″, 44×360″), OIII (74×360″), SII (4×300″, 54×360″) with Gain: 139, Offset: 50 for a total integration time of: 19.7 hours. Software: Main Sequence Generator Pro, PHD2 Guiding, PixInsight 1.8, & Photoshop CC.

I have been interested in photography since a very young age. I remember learning to take pictures with my father’s Russian-made Zenit-E 35mm fully-manual SLR (you had to remember to close the iris by hand before shooting to set the desired aperture!) when I was in elementary school. I have pursued nature and adventure photography ever since and some of my images have been published.

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Astro Sketching the Universe!

Sunspots Active Region 2403 by Instagram user Pekka Rautajoki. All rights reserved. Active Region 2403 from 2015 on August 23rd (13:00 UT), August 24th (12:15 UT), and August 28th (13:40 UT). Sketched through Tele Vue-85 refractor @85x; white light filter, no tracking. Pencils on white paper, East-West mirror images. “What a wonderfully complex sunspot group! “
We posted some Instagram sketches of the July 2019 Total Solar Eclipse from Chile last month made by Pekka Rautajoki — who traveled all the way from his native Finland to be there. We found a trove of blog-worthy images, he posted on Instagram, made with Tele Vue eyepieces and  Tele Vue-85 APO refractor. They encompass a broad range of objects from the northern and southern hemispheres. So, it was only inevitable that we invited him to write a guest blog post based on his exquisite work! 

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Clyde Bone and His Two Unusual Mersenne Telescopes!

In this guest blog post, Ted Hume describes two telescopes designed and built by Clyde Bone. At first they appear to be “big-Dobs.” However, look close and you’ll note they don’t require “shaky ladders” as the final focus is through Tele Vue telescopes near ground-level. They also serve as their own finders. Read on about these fascinating instruments and how they could be yours!

Blue 20-inch, f/5 Mersenne telescope uses a Tele Vue Genesis refractor for its “eyepiece” and red 30-inch, f/5 big-brother (image shown reversed) uses Tele Vue-140 refractor. No need to climb ladders to view through these! Both scopes built by Clyde Bone. Ted Hume is at the eyepiece. Images by the author with all rights reserved.

Clyde M. Bone, Jr. (1928 − 2012) of San Angelo, Texas designed and built two Mersenne telescopes, first a 20-inch and then a 30-inch.

His career included working for the Texas Border Commission in the Big Bend area of Texas, geologist for an oil company ─ who flew a light plane to drilling sites and landed on dirt roads, science teacher at a Texas high school and in the Texas prison system. When he decided to build a Mersenne telescope, he was retired and spent a year studying optics. Then he was ready.

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Downsizing to the Perfect Small Scope and Mount

Barry Kawa’s “big toys” archive photos from his years in Ohio. On the left is his 6″, f/10 achromatic refractor with equatorial mount on a tall, roll-out mount (looks like you can sleep on the tray!). The light bucket on the right (also on wheels) is a Coulter 17.5″ Dobsonian, nicknamed “The Other Woman.” Image © Barry Kawa with all rights reserved.
Barry Kawa,  a U.S. journalist now living in Japan, wrote a prior blog for us (Does it spark joy?) about the joy of collecting scopes and the task of paring down the collection to what gives him joy. You can read this post as a “part 2” for the phase of life when it’s time to go with just one scope and mount.

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Does it spark joy?

Barry’s Tele Vue collection with Tele Vue eyepieces and mounts (L-to-R): Brass Ranger with 10.5mm Plössl on Executive Mount, Pronto with 21m Plössl on Telepod mount, Oracle with 19mm Wide Field eyepiece on Panoramic mount, Tele Vue-85 with 20mm Plössl on non-Tele Vue equatorial mount, and Brass Renaissance with 55mm Plössl on a Gibraltar Mount. Image © Barry Kawa with all rights reserved.

Tidying means taking each item in your hand, asking yourself whether it sparks joy, and deciding on this basis whether or not to keep it. Marie Kondō, Japanese organising consultant and author

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Night Vision in the UK: Seize the Night!

This week’s guest blog post is written by Gavin Orpin. The blog came about as a result of a discussion between Gavin and Tele Vue President David Nagler at the recent AstroFest 2019 show held at the Kensington Conference and Events Centre in London.

The constellation Orion over the roof, image by Gavin Orpin. All rights reserved. Used by permission. Taken through a night vision monocular with a smartphone using the Tele Vue / TNVC FoneMate adapter. An astounding view of Barnard’s Loop (the 10-degree wide nebula arc from above the belt of Orion to the feet) — that normally requires long-exposure imaging to record. Gavin tells us that his images simulate the naked-eye view through the night vision monocular. Huawei P20 Pro phone took the image. Exposure notes: 4mm lens at f/1.6, 20-sec exposure at ISO 100.
March 1, 2019 Update: Filter Magic Coming Soon!

Coming from the U.K., using night vision for astronomy is very rare due to the cost and difficulty of getting the night vision equipment. I estimate there are only around 6 night vision astro users in the whole of the U.K..  However, I was fortunate in that one of my local astronomy club members is the leading U.K. proponent of night vision astronomy, so I was able to see first-hand this technology in action.

[Night Vision] has given me a completely new aspect of the hobby to explore.

Given the significant light pollution, living near central London does create some big issues for visual astronomy. However, night vision has given me the ability to observe DSOs (Deep Sky Objects) with my Tele Vue-85 APO telescope that I would have no chance with normal glass eyepieces. It has given me a completely new aspect of the hobby to explore — for that I am very grateful to my astro club friend and Tele Vue for making it possible for a U.K. based astronomer. In addition, when I do get the chance to visit a dark site, the night vision works even better and I can see things I never dreamed of when I began observing the stars.

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Chris Owen: Tele Vue-85 Narrowband Imager

Jellyfish Nebula, Narrowband by AstroBin user Chris Owen. All rights reserved. Used by permission. Tele Vue-85 APO refractor with TRF-2008 0.8x Reducer/Flattener (480mm f/5.6) with ZWO ASI1600MM Pro camera on iOptron iEQ30 Pro mount. Taken through Astrodon Hα, OIII, and SII filters for a total integration time of 16-hours. This is a striking narrowband filter image of the Jellyfish Nebula (IC 443) and IC 444 reflection nebula in the constellation Gemini. The Jellyfish (lower-right) seems to “pop out “of the screen, apparently “held back” by a tenuous connection to ICC 444 to the upper-left. The bright star Eta Geminorum (one of Gemini’s “toes”) is on the right and to the left is Mu Geminorum (one of Gemini’s “ankles”).

This guest blog post is by Tele Vue-85 owner Chris Owen. Chris is a physician in Orange County California, where he lives with his wife and 3-year old son. You can see more of his images on AstroBin.

I got started in astronomy in the 1990s while I was still in High School. I spent cold clear winter nights in Northern New York learning the basics together with my father on an 8″ Schmidt Cassegrain. I remember trying to manually guide my first prime focus images of M42 with the 2,000mm focal length SCT, shooting 35mm film in 10°F temperatures. The results were predictably flawed and after I went off to college the scope and gear were put away. I went west after finishing school and my astronomy interest faded away under the light polluted sky of Southern California.

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Tack Sharp Stars: Overcoming Eyesight Astigmatism

Simulated image of DIOPTRX™ astigmatism correction. Your experience may vary.

This guest blog post is written by Phil Ressler, a longtime amateur astronomer who lives in Los Angeles, though his observing life began on the east coast. Phil is a veteran software industry executive, currently CEO of Sixgill, LLC.

I had never seen pinpoint or round stars — apart from observing our round Sun.

I’m old enough to remember when “pinhole” eyepieces with “soda straw” views defined what a telescope offered to the average amateur astronomer. More than anyone, Al Nagler, and more than any company, Tele Vue, changed that by opening up the sky and making it easier to explore through wider field viewing. Mr. Nagler and his company also showed us that a relatively rich field refractor could not only capably serve as an amateur’s sole telescope: it is the best telescope to own if you’re only having one. We can thank Al Nagler and Tele Vue for laying the foundation for the way visual astronomy is pursued today. Yet despite all that, until I tried a DIOPTRX™ on my 22mm Panoptic last year, I had never seen pinpoint or round stars — apart from observing our round Sun. I’ve been observing the sky through scope optics since 1961, my astigmatism never absent. For people like me, DIOPTRX™ is arguably Tele Vue’s most essential product, because it makes all of Al Nagler’s original work in eyepieces and refractors unmistakably worthwhile to the astigmatic viewer.

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